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Links:
Photographs
of Africa -link list here
Basel
Mission Archive - thousands of pictures from Cameroon
& Gold Coast
Mali
in old postcards here
Centre
Edmond Fortier
In
and out of Focus: Images from Central Africa 1885-1960
References:
Adler,K.
& Stelzig,C. "Robert Visser and his photographs from the Loango
coast" African Arts, XXXV(4) (2002)
Edwards,
E. Anthropology and Photography 1860-1920 (1992)
Geary,C.
ed. In and Out of Focus: Images from Central Africa, 1885-1960
(2002)
Geary, C.
& Webb, V. Delivering
Views: Distant Cultures in Early Postcards (1998)
Geary, C.
Images from Bamun: German Colonial Photography at the Court of King
Njoya, Cameroon, West Africa, 1902-15 (1988)
Maxwell,A.
Colonial Photography and Exhibitions: representations of the 'Native'
and the making of European identities (1999)
Prochaska,
D. "Fantasia of the Phototheque: French Postcard Views of Colonial
Senegal" African Arts 24(4) (1991)
Stevenson,
M. & Graham-Stewart, M. Surviving the Lens: Photographic Studies
of South and East African Peoples 1870-1920 (2001)
Viditz-Ward,
V. "Alphonso Lisk-Carew: Creole Photographer" African Arts
19(1) (1985)
Webb, V.
"Fact and fiction: nineteenth century photographs of the Zulu"
African Arts 25(1) (1992)
(c)
Duncan Clarke 2003
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On
the following pages we show a small exhibit of vintage postcards
of African men and women in leadership positions, mostly dating from the first three
decades of the C20th. Contrary to the impression we often gain
from the media, African dress traditions were, and still are,
extremely complex, diverse, and elaborate. Cloth and dress, in
African societies, as elsewhere, is closely interwoven with
issues of status and identity for both individuals and groups.
Even in societies where clothing was apparently minimal, dress
involved nuances of distinction and elaboration which can only
be understood by close local knowledge. Both similarities and
differences are apparent within and between different groups and
areas. Dress styles are modified over time and through changing
access to raw materials and techniques. In some cases this
change is rapid, in others hardly perceptible over centuries.
These images provide glimpses of specific people and traditions
at specific moments in time, not images of an unchanging but now
lost golden age. I have selected them both because I think they
are interesting in themselves, and because they illustrate a few
aspects of these issues. Postcards
such as these were artefacts of the colonial era, taken by men
(almost all the photographers were men) with their own agendas
and interests. A few photographers were African but most were
Europeans. Relations of power were implicit and often explicit
between photographer and their subjects. The cards, like all
photographs, are not a transparent window into the past, but one
that was selected, arranged, and largely controlled by the
cameraman. In order to sell cards the images chosen had mostly
to fit in with prevailing stereotypes of Africa and Africans.
Mysterious and savage kingdoms, bizarre customs, exotic
settings, nubile and exposed women were the stock in trade. Does
this make cards useless as glimpses of and sources of
information about the past ? No, but it does mean we have to
think carefully about what we are seeing and why. Some of the
reading listed in the references at the left explore these
issues. African
leaders were usually highly conscious of the important role
played by dress and self-presentation in asserting and
maintaining their claims to exceptional status. Some had
numerous different and highly varied outfits for a range of
occasions. Exotic and unusual items, from the skins and feathers
of powerful or rare animals and birds, to unusual textiles and
clothes imported from other parts of Africa or overseas,
frequently contributed to leadership outfits and regalia. In
some cases the message conveyed by these was simply one of
wealth and power, in others highly complex and nuanced local
symbolism was at work. The
selection of images that follow is far from comprehensive. It
reflects postcards that have come my way in recent years,
already filtered by the choices of the photographers and card
publishers of the past, which in turn were impacted by the
demands and expectations of their viewers. In particular,
despite the often highly important role of female leadership in
many African cultures, there are very few cards that depict
women in leadership roles. Geographically there is a heavy
emphasis on West Africa which largely reflects my own interest
in the region. Click
the NEXT link at the foot of the page to continue.
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